Simply Being | Simple Being

Month: May 2015 (page 1 of 1)

Visit to Aladdin’s

It was a lovely Sunday afternoon. We happened to be in Sandy Springs, and lunch was beckoning. P suggested we go to Aladdin’s Mediterranean Grill & Deli on Roswell Road. I enjoy Mediterranean food, so off we went.

Alladin's

It has been a long time since I have eaten at a restaurant and enjoyed the experience so immensely, PLUS I managed to get a few good photographs (thanks to the gorgeous light and the wide windows at Aladdin’s), so I thought a blog post was merited.

The menu is fairly simple at Aladdin’s. I wish I had clicked a shot of the blackboard with the handwritten menu. There are many vegetarian options. P had visited Aladdin’s earlier for an office team lunch, so he ordered for both of us.

It was simply wonderful. The flavors, the freshness, the vibrancy of ingredients, the casual atmosphere… the trio of giggling kids at the next table, their serious-faced parents (Mom looking every bit stylish and Middle Eastern, as I’d imagine) and the Arabic music playing in the background – all in all, a supremely relaxing and delicious lunch experience.

Minty Water

Let’s take a moment to talk about water?

How adorable, right? Giant glass tumblers filled with cool water, a dash of rosewater, fresh mint leaves and lemon slivers make for a refreshing beverage.

We ordered a bowl of Lentil Soup and the Vegetarian Platter. The lentil soup was simply flavored yet hearty in taste and texture. It came with a generous portion of pita croutons. I would have happily dumped the whole pile of croutons into the soup and slurped it all down, but I controlled myself… Sigh.

The Vegetarian Platter contained: Baba Ghanoush, Tahini sauce, four Falafels, Dolma, Jerusalem Salad, Tabouli and Hummus dip.

Can I just say that every item was delicious? It’d make for such a hackneyed description and a boring blog post but I think you understand my drift? These are the same dishes that grace the menus of most (if not all) Mediterranean eateries in the U.S., yet the freshness of the ingredients and the simplicity of preparation made for a delicious lunch repast.

Alladin

I wasn’t planning to eat the pita bread but their pillow softness was so tempting that I couldn’t resist. Made myself a generously loaded pita sandwich. The Tabouli salad was loaded with fresh parsley and lime (or lemon) juice with none of the mouth-puckering sourness. The Dolma was perfect. I am not the biggest fan of this stuffed vine leaf preparation but I enjoyed it this time.

I turned down dessert but I will give it a try next time.

Meghamalhar: An Old Film, A New Take

Meghamalhar (Malayalam)

Had the opportunity to watch an old Malayalam film “Meghamalhar” recently. Starring Samyuktha Varma and Biju Menon in lead roles, the movie is a charming attempt at understanding the dynamics between two adults who once shared a deeply intimate childhood friendship.

Rajeev is a lawyer. He is married with two kids. Nandita is a writer/novelist/sub-editor living in the same city. Her husband works in the Middle East. She lives with her daughter and father-in-law. Rajeev and Nandita have a chance interaction at a local bakery when their respective orders get mixed up. Then they meet again at a hospital. By now, Rajeev has learned that she is a published writer. He chats with her about her work. Then they meet again at his office when she drops by with a friend who has an appointment with a fellow lawyer. Each interaction they share is pleasant and friendly. He begins to read and enjoy more of her stories.

One day, Nandita calls Rajeev to ask a favor. She needs an interview with a respected Kathakali artist and performer. This gentleman is also a friend of Rajeev’s, so she asks if he can provide an introduction. Rajeev agrees. The artist lives in a distant town, so they have to undertake a day’s journey for the interview. Nandita, Rajeev and a photographer make their way to the artist’s home. En route, Rajeev starts describing a story penned by Nandita that touched his heart deeply. He reveals that he has had a similar experience in his own life. As he begins to describe an incident from his childhood involving a dear friend Srikutty that mirrors the story, Nandita’s face changes. It becomes evident that the story is semi-autobiographical, and that Nandita is none other than Srikutty. It also becomes clear to her that Rajeev is her childhood friend. However, Nandita chooses to keep this realization to herself.

Life goes on. Rajeev finds himself getting more and more drawn to Nandita. He feels a deep sense of connection with her. One day, they meet at a beach where he reveals his feelings to her. She is shell-shocked. Speechless, she leaves. Rajeev is dismayed. He attempts to contact her multiple times to explain (or apologize) but she refuses to meet him. Another chance interaction occurs as they both travel to Trivandrum, a neighboring city. This time, Nandita is with a friend. Unable to face him, she asks her friend to pass Rajeev a copy of her newly published book.

On the first page, she writes,

“To my childhood friend Rajeev,
Yours,
Srikutty.”

As Rajeev opens the book, he comes to realize who Nandita is. He requests her to meet him one last time. When they meet, he apologizes for what he terms his “cheapness” and indiscretion. He promises to never contact her again. But he declares that he will never forsake the memory of his childhood playmate Srikutty. Nandita is visibly moved. She then proposes a short trip to Kanyakumari, the city of their childhood. As Nandita and Rajeev explore the beach where they played as children, they are forced to confront the fact that they are deeply attracted to each other. But, as Nandita explains, there can be no future to that feeling; they must part as strangers, she says.

Many years elapse. Nandita and her husband Mukundan are on a trip to Kanyakumari. As they check out of their hotel, a car pulls up. Rajeev steps out with his wife Rekha. It turns out that Rekha and Mukundan were classmates at college. They begin chatting and exchanging pleasantries. Nandita and Rajeev are introduced to each other. As their eyes meet, it becomes clear that the passage of time has not dimmed their feelings. They mutter “Hello” to each other and part to go their respective ways.

Phew. Typing all that was not easy.

I watched the film in two parts. I really enjoyed the first half. The story was developing so beautifully, I thought. It seemed like a mature attempt to show adults grappling with complex emotions. However, the second half felt like an utter letdown.

As I was describing the story to P, he wondered why I was in “psychoanalysis” mode. No, I wasn’t meaning to over-analyze or dissect the movie (it is a work of fiction, after all) but I felt like Meghamalhar lost a good opportunity to make a strong point.

The past can be a powerful player in our life. However, the truth is that it has no existence. Understanding this fact is vital to our peace of mind and happiness. Yes, Nandita and Rajeev shared a special bond in their childhood. However, that time had long passed by. Not to imply that the sweet tenderness of that bond should necessarily have changed. Meeting a dear friend is a joyful event. Instead of looking at that person and relationship as they existed, in the current moment, Nandita and Rajeev viewed their present situation in the light of their past. End result? Muddled emotions. Guilt, regret, pain… and so on.

The film has a couple of beautiful songs. Here is one.